Wednesday, January 28, 2009

Neato Upcoming Movie



Anybody seen one of the few showings of Azur et Asmar, a.k.a. Azur and Asmar? It's a French animated movie about "the story of two boys raised as brothers, who compete in a dangerous quest through foreign lands to find and free the Fairy of the Djinns, held captive in a crystal palace." Looks incredible.

Here's a trailer:


And here's the French website for the movie. (Click "Visitez le site" to see some cool stuff.)

The website for the U.S. distributor, GKIDS, includes a list of dates and locations to see the movie.


Sunday, January 25, 2009

Neato Upcoming Comic

I've really been enjoying Marcos Martin's artwork on recent issues of Amazing Spider-man, and I just saw that he'll be doing the art for Captain America Comics #1: 70th Anniversary Special, with James Robinson writing. It is scheduled to ship on April 1st.

Definitely worth checking out, I'd say. (By the way, note the slick homage to the classic "Captain America punches Hitler" cover.)

Here's the catalog description.

Saturday, January 24, 2009

Review: Tamara Drewe



Posy Simmonds's Tamara Drewe (Mariner/Houghton Mifflin, 2008, 136 pages, $16.95) is an off-beat drama that strolls along like a leisurely walk through the English countryside, at least until people start dying.

The story takes place over the course of four seasons at a writer's retreat on a farm, where the arrival of hot young columnist Tamara Drewe and her rock star boyfriend disturbs the affairs of the couple that owns the farm, their handyman, a writer who farts around in one of the guest houses, and two of the local high school girls. The men are captivated by Tamara while the high school girls obsess over her boyfriend. People sneak around, screw around, get engaged, break off engagements, and dance around wearing pilfered dresses. It's your typical English relationship drama.

The book is not a typical comic book, however, as most of the pages have large chunks of text dispersed in and around the artwork. It's more comic book than illustrated novel, though, and the text does not interrupt the flow of the story. The art itself is quite nice to look at, with solid cartooning that perfectly conveys the emotions of the characters, and plenty of shots of beautiful British boonies.


(click to enlarge ... did you think I meant something else by "beautiful British boonies"?)

The story does sort of take a left turn near the end, but although those events are surprising, they don't feel altogether out of place, perhaps because Simmonds does such a good job creating real, believable people, and the action flows naturally from their decisions.


(click to enlarge)

This is an accomplished, well-crafted work. I very nearly picked this as one of my top ten comics for 2008, and I recommend seeking it out.

By the way, Simmonds originally serialized this story at the Guardian's website, and you can still read the whole thing here. (Interestingly, it looks like Simmonds has reworked quite a bit for the print version -- I compared one randomly-chosen page from both versions, and found differences in colors, facial expressions, and dialogue.) You can buy the book from Amazon here: Tamara Drewe

Disclaimer: This review is based on a complimentary copy provided by the publisher.

Wednesday, January 21, 2009

The Best Comics of 2008

Here are the Ten Best Comics of 2008. These are the books that stuck with me and jumped off my shelf when I was putting together this list. When I finished each of these comics, I felt satisfied but also didn't want it to be over. They all nailed me in my head, my heart, and my gut.

10. Astonishing X-Men by Joss Whedon and John Cassaday



That's right, let's lead off with this one. Honestly, I'm a little torn about putting this on the list, considering that only two issues came out in 2008. But here is why it makes it: it contains everything I want in an X-Men story. The action and adventure, the romance and the drama, the snappy one-liners and the noble sacrifices and the overcoming of great odds and the bad-ass use of mutant powers = pure superhero pop confection. Oh yeah, and the fact that John Cassaday can draw anything and make it look fabulous doesn't hurt.

9. Alan's War: The Memories of G.I. Alan Cope by Emmanuel Guibert


Emmanuel Guibert's fascinating presentation of the memories of his friend Alan Cope is brought to life by beautiful artwork and Cope's own detailed, thoughtful narration. Here is my full review.

8. Ganges #2 by Kevin Huizenga



Kevin Huizenga captures both the all-consuming nature of video games where you blow away your friends and what it feels like when the layoffs begin at your workplace. Formally daring and with a good heart. Here is my review.

7. Black Jack by Osamu Tezuka



Osamu Tezuka's black market doctor dazzles with surgical wizardry, while Tezuka himself shows off his considerable artistic talents. Each episode peels back another layer of the onion that is Black Jack, while pushing the nutso barrier further and further. Here is my review of the first two volumes in the series.

6. Northlanders: Sven the Returned by Brian Wood and Davide Gianfelice



Sven is one mean mofo, yet it takes eight solid issues of killing dudes in the frigid North for him to claim the title of Baddest Viking You Ever Saw. But he gets there by the end. Full review here.

5. Essex County volume 3: The Country Nurse by Jeff Lemire



You can't help but root for these good people who are living unhappy lives because of ill fortune and their own mistakes. A sad story that spans decades but remains deeply personal, this one goes right for your heart. Here is my full review.

4. Scalped by Jason Aaron and R.M. Guera



It already started out strong, and now Aaron's writing seems to be hitting that sweet spot where he could take this story in any direction at any point and the readers will follow him without question. He's earned it with his fearless plotting and rich character work. Plus, this world is so well-constructed and organic that it feels like (1) Aaron's not inventing characters and scenes so much as uncovering what already was there to be found; and (2) he could tell stories about these people for a long, long time. And yet, I know that it will have to end one day, as the series is inexorably building to the ultimate confrontation between Bad Horse and Red Crow; it's going to happen eventually, and while I already know that it will be incredible, I also already know how much I will miss this series when it is over.

3. The Punisher by Garth Ennis and Goran Parlov


Kind of like how I miss this one. 2008 saw the release of the last part of the "Long Cold Dark" story as well as all six issues from Garth Ennis's final Punisher MAX story, "Valley Forge, Valley Forge." Ennis manages to tie together his unbelievable run with a story that has callbacks to nearly every page of the series, while providing us with one more look into the dark, dark world that is Frank Castle's life. And on top of it all, Valley Forge, Valley Forge is both a tribute to American soldiers and a condemnation of the American military, an excavation of Vietnam and a sobering reflection on our current war. It's pretty rare for a mainstream comic book to aspire to be social commentary, and rarer still for that comic book to succeed as such. That The Punisher manages to do so without losing an ounce of suspense, dark humor, or balls to the wall action is a testament to the masterful ability of Ennis. Plus, over the course of the series he's created some of the most villainous villains that I've ever seen grace the comic book page: these dudes are so evil, and yet it seems entirely possible that people like them exist in our own world. Scary stuff. This comic is so, so good.

2. Bottomless Belly Button by Dash Shaw



A gripping story about a family unpacking a lot of emotional baggage and coming to terms with divorce. Superb storytelling, especially in the dynamic scene of the older son crawling through the claustrophobic tunnel of splinters to the treasure chest of memories. And that reveal of the younger son's true face killed me. Here is my full review.

1. All-Star Superman by Grant Morrison and Frank Quitely




Where else could I put the best superhero comic book of the decade? Grant Morrison and Frank Quitely knocked this one out of the galaxy. You just won't find anything better.

Honorable Mentions:

I don't read everything that is published, and I know that there are many good books out there that I haven't uncovered, books that probably would have had a good shot at making this list. There also are several books that I own but haven't yet read, including Omega the Unknown, Lynda Barry's What It Is, and the recent volumes of Ed Brubaker and Sean Phillips' Criminal. And I don't own but am itching to see Nate Powell's Swallow Me Whole, Art Spiegelman's Breakdowns, and Eddie Campbell's The Amazing Remarkable Monsieur Leotard. Finally, I'm really, really hoping that Joe Kelly and J.M. Ken Niimura's I Kill Giants and Brett Lewis and John Paul Leon's The Winter Men get collected editions in 2009, since I didn't get the singles.

But although I may have missed out on a few great books -- and man, that list above seems daunting -- I did read a lot. And there are many books that I liked and recommend but did not put on this list, for one reason or another: Posey Simmonds' Tamara Drewe, the Linda Barry-edited The Best American Comics 2008, Gerard Way and Gabriel Ba's The Umbrella Academy: Apocalypse Suite, Matt Fraction and Barry Kitson's The Order, and Ed Brubaker and Michael Lark's Daredevil. Also, I'm really enjoying Kate Beaton's Hark! A Vagrant, a goofy and hilarious webcomic strip. (Here are some of my favorites from this year: Foundin Fathas, Boat!, Playing With the Boys, For Candace, In Service of the King, and E For Effort.) I'll put all these comics in the "honorable mention" category.

That's it for 2008. Thanks for reading.

Tuesday, January 13, 2009

Breaking News

Comic book industry to ask for federal government bailout
  • Public in uproar over DC Comics Executive Editor Dan DiDio's decision to fly to Congressional hearing via invisible plane.
  • Marvel Comics Editor in Chief Joe Quesada said to be planning to use bailout money to fund new webcomics initiative -- UPDATE -- webcomics initiative a complete failure, comics ruined for all time.