Sunday, July 5, 2009

Review: Hellboy vol. 6: Strange Places

Hellboy vol. 6: Strange Places, by Mike Mignola, 2006, Dark Horse, 128 pages, $17.95

This is another excellent entry in the Hellboy horror-adventure series, collecting 2002's Hellboy: The Third Wish #1-2 and 2005's Hellboy: The Island #1-2.

After the events of The Conqueror Worm, Hellboy has quit working for the Bureau of Paranormal Research and Defense, and appears to be aimlessly wandering the planet. In The Third Wish, Hellboy is dragged down under the sea by some scheming mermaids and becomes the prisoner of a witch called the "Bog Roosh." In The Island, Hellboy is stranded on an island/ship graveyard, where he encounters a creature with knowledge of the origins of the universe and of Hellboy. (It's basically a well-executed info dump, revealing the secrets behind some of the long-running mysteries of the series.) A previously-unpublished epilogue sets out the direction for future stories.

Why is this series so consistently entertaining? I think many people would point to the fascinating stew of world mythology, pulp fiction, and horror that Mignola serves up with his ladle of pitch-perfect, stylized art. And I would, too, normally, except that I've already written about several books in this series and I want to talk about something different. So let's look at two possibly under-appreciated yet vital pieces of the puzzle: the character of Hellboy, and the coloring of Dave Stewart.


(A typical Hellboy response)

Hellboy is, let's face it, pretty damn fun to watch. I think he's probably one of the biggest reasons that the movies have been successful, as they highlight his personality and give him some great dialogue. Visually, he looks great, always standing out from his surroundings because of that devil red skin tone. But his personality is also just as clearly defined, to the point that Mignola probably doesn't have to do much heavy lifting when it comes to deciding how Hellboy will react to something. What makes him particularly unique for horror stories is that he just doesn't get scared. He's seen some bad, bad stuff, and faced off against some bad, bad monsters, and he always wades in fists first. It's so refreshing to see somebody able to cut through all the scary elements of the stores, and it makes everything a lot more fun to read.

Second, I have to say that if I was creating a comic book and I had my choice of any colorist, I would choose Dave Stewart. His coloring simply will make your stuff look great. On top of that, his colors actually add to the work (rather than just add clarity to the storytelling) through an imaginative choice of palette and an ability to compose the color page-by-page as opposed to panel-by-panel. Take a look at this undersea setting:


(The Bog Roosh is one nasty beastie.)

Who else would have the guts to color that purple? All the scenes in the Bog Roosh's chamber are that evocative lavender color, with only Hellboy (as noted above), a fish out of the water, breaking up the scheme. Man it just looks fantastic. Here's another page, from The Island:



That yellow running down the stairs and pooling in the water is not only interestingly creepy, it helps to tie together events separated by several centuries.

I encourage everyone to grab a Hellboy collection and flip through it, looking at each page as a unit. Most colorists go for a more representational look, trying to color everything as it appears, rather than choosing colors that add to the mood and style of the art. You'll see how Stewart, by choosing more expressive colors, adds to the mood and just makes the thing look good.

READ MORE: Here's a four-page preview of The Third Wish and a four-page preview of The Island. And here is the complete epilogue.

BUY IT: From Dark Horse here or from Amazon here: Hellboy vol. 6 : Strange Places

RELATED: Here are my reviews of other books in the Hellboy series:

Friday, July 3, 2009

Marvel's 1993 Annual Report, Part 2

PART 1 | PART 2 | PART 3

Here is the remainder of the comic book pages.

























PART 1 | PART 2 | PART 3

Thursday, July 2, 2009

Index of Reviews

Here is a complete index to the reviews published on this blog:

Alan's War

All and Sundry

Amazing Spider-Man #555-557

Benny and Penny: The Big No-No

Best American Comics 2008, The

Best American Comics 2009, The

Billy Hazelnuts

Black Diamond Detective Agency, The

Black Jack vols. 1 and 2

Black Jack vol. 3

Blazing Combat

Bottomless Belly Button

Britten and Brülightly

Chance in Hell

Daredevil: Cruel and Unusual

Essex County vol. 3: The Country Nurse

Eternal Smile, The

Ganges #2

Give It Up!

Hellboy vol. 4: The Right Hand of Doom

Hellboy vol. 5: The Conqueror Worm

Hellboy vol. 6: Strange Places

Hotwire: Requiem for the Dead #1

Incredible Hercules vol. 1: Against the World

Invincible Iron Man vol. 1: The Five Nightmares

Jack and the Box

Jan's Atomic Heart

Johnny Boo: The Best Little Ghost in the World

Johnny Boo: Twinkle Power

Jonah Hex #33

Lagoon, The

Little Mouse Gets Ready

Local

Love and Rockets: New Stories #1

Love is a Peculiar Kind of Thing

McSweeney's #33: The San Francisco Panorama

Mijeong

Museum Vaults, The: Excerpts from the Journal of an Expert

Nocturnal Conspiracies

Northlanders vol. 1: Sven the Returned

Old Man Winter and Other Sordid Tales

P-Brane: The Green Man

Parker: The Hunter

Pixu #1

Pluto: Urasawa x Tezuka vol. 1

Prince of Persia

Punisher Kills the Marvel Universe

Red Monkey Double Happiness Book, The

Refresh, Refresh

Scott Pilgrim Full-Colour Odds & Ends 2008

Second Thoughts

Sgt. Fury & His Howling Commandos #1: Shotgun Opera

Stinky

Stitches

Tamara Drewe

Three Shadows

Town of Evening Calm, Country of Cherry Blossoms

Uncanny X-Men #501

Waltz with Bashir: A Lebanon War Story

War is Hell: The First Flight of the Phantom Eagle

West Coast Blues

World War Hulk: Incredible Hercules

X-Men and Spider-Man

Wednesday, July 1, 2009

Marvel's 1993 Annual Report, Part 1

In 1993, I purchased four shares of stock in Marvel Entertainment Group, Inc. solely so that I could get a copy of Marvel's Annual Report, which I had heard was published in comic book form.

Oh man did they deliver.

PART 1 | PART 2 | PART 3

Here are a few pages from the 1993 Marvel Annual Report:

(Click to enlarge.)


(cover)


(rear cover)


(inside cover)









Oh yeah, there's more where that came from.

Twenty-seven more comic book pages describing the year for Marvel Comics, Licensing and Advertising, Fleer, and Toy Biz.

And then there's thirty-one pages of financial data in boring old prose form, except for a few illustrations and charts like this:



(That demographic outlook is totally favorable!)

And for those of you who are interested, here's a look at Marvel's revenues, costs, income, etc. from 1989 through 1993:



As I said above, there is a ton more stuff in here.

PART 1 | PART 2 | PART 3

ILoveRobLiefeld: now on Twitter



I just wanted to let everyone know that I've got a Twitter account that you can follow by clicking here: http://twitter.com/iloverobliefeld

I don't post often, but feel free to check it out.

Recently I posted this one:
Name your favorite comic book published in the first half of 2009! Mine is either Parker: The Hunter or Pluto: Urasawa x Tezuka vol. 1.
So, what's your favorite comic from the last six months?

Monday, June 29, 2009

Neato Webcomics

I just wanted to give everybody a heads up to check out a couple of neat short stories written by Hudson Phillips and drawn by Brandon Earnhart.

"All These Days Undone" is a nifty 7-page story that nicely meshes "don't choose work over family" with "don't mess with time travel."

"Strawberries" is another 7-pager with some hot tiger action.

I enjoyed both stories and encourage you to check them out.

Review: Richard Stark's Parker: The Hunter

Richard Stark's Parker: The Hunter, by Darwyn Cooke, 2009, IDW Publishing, 144 pages, $24.99

Hot damn what a book! In what is rapidly becoming a banner year for comic books of the crime/noir/mystery persuasion (see, for instance, Britten and Brulightly, the finale of 100 Bullets, the ongoing amazingness of Scalped, Vertigo's new crime imprint, the upcoming Noir anthology and return of Brubaker and Phillips to Criminal, and hey -- even Marvel has gotten into the act with noir versions of its established super-hero properties), Richard Stark's Parker: The Hunter is likely to be crowned as the champ. It's an artistic tour de force.

The story, based on a book by Richard Stark/Donald Westlake, is about a betrayed man exacting his revenge on his betrayers. Except for a flashback that shows us just how he was betrayed, the book takes place in New York City, in 1962. Parker is an independent criminal unaffiliated with organized crime, but his anger-fueled mission seemingly sweeps in just about every lowlife in the five boroughs. Pretty much everybody you meet in the pages of this story will end up getting theirs. Along the way the book throws in action, drama, and some nice black humor.



Part of the fun of the book is watching Parker go about his business. Parker is one bad dude. I'm not just talking about how he's tough, resourceful, and seemingly unstoppable. He's also a hardened criminal who isn't above theft, murder, and whatever else it takes to get what he wants. He's almost like a more stealthy and cunning Terminator. You still root for him, because the other bad guys have no redeeming qualities whatsoever, but he's certainly not your typical hero.



While Parker is captivating and the plot is a blast, the art is truly exceptional. Cooke's drawings are so fluid and the storytelling is so strong that you might zip through this book at a frenetic pace. I'd recommend forcing yourself to slow down (or go back through it once you're done), however, and really look at these images. There's such style and grace on display, and Cooke's line is so confident that it feels like he drew the entire thing without once picking up an eraser (rubber or digital). But it doesn't feel dashed off; it's more like he just knows the perfect place to put each mark and executes it with precision. And Cooke's done his research -- the backgrounds, hairstyles, clothing, furniture, all of it looks fabulous and just so 1962. It's just fantastic.



This is only the first of four planned comic books by Cooke about Parker, which means that there is a whole lot of awesomeness lined up. Get on board now.


(I would NOT want to be Stegman.)

DID YOU KNOW? The 1999 Mel Gibson movie Payback also was based on The Hunter. I always kinda dug it, but I got the feeling that nobody else did. I'm guessing I won't be the only one who likes Cooke's version, however.

READ MORE: Here's a twenty-one page preview. And here are three interviews with Cooke about the book:
BUY IT: From IDW here or from Amazon here: Parker: The Hunter

RELATED: Here's my review of Jonah Hex #33, with art by Cooke.

Disclaimer: This review is based on a complimentary copy provided by the publisher.

Tuesday, June 23, 2009

Review: Mijeong

Mijeong, by Byun Byung-Jun, 2009, NBM, 240 pages, $19.95

This manhwa, or Korean comic book, is a collection of eight sad short stories set in gloomy cities about gloomy people. It's not a ton of fun, but it certainly is an interesting book.

Most of the stories involve young people stricken by violence of some kind, including suicide, murder, and sexual abuse. Several seem to blend together because they all evoke a similar mood, a kind of oppressive unhappiness. One story involves a group of children coldly plotting how to dispose of a body, for instance. Another brings some levity to the proceedings by including a jealous cat:


(click to enlarge)

The black-and-white art is mostly scratchy, thin lines, although one story has some nice soft coloring. Byun Byung-Jun makes some interesting stylistic choices: his cityscapes appear detailed and yet indistinct at the same time, and many of the women depicted in the book have exaggerated, almost alien features (beyond the typical manga-style, I think):


(click to enlarge)

Interestingly, the book includes a review at the back that is not entirely glowing. At one point the reviewer notes that the stories contain "a lack of plot twists that might captivate the reader . . . ." But the reviewer ends by stating that it "will be interesting to see in which direction the next work by Byun Byung Jun evolves . . . ."

I'd agree with that last statement. It's clear that Byun Byung-Jun is an artist with potential, he just needs to find something to say. I'll certainly be on the lookout for his next book.

READ MORE: Here is a seven-page preview and a fourteen-page preview.

BUY IT: From NBM here or from Amazon here: Mijeong

RELATED: My reviews of other comic books published by NBM:
Disclaimer: This review is based on a complimentary copy provided by the publisher.

Friday, June 19, 2009

Early Muppets















See more here.

Enjoy your weekend, everybody!

Tuesday, June 16, 2009

Review: Hellboy vol.5: The Conqueror Worm

Hellboy volume 5: The Conqueror Worm, by Mike Mignola, 2004, Dark Horse, 168 pages, $17.95

This Mignola guy might be on to something, here. Hellboy: The Conqueror Worm was a four-issue mini-series originally published in 2001, and it is another solid entry in the Hellboy series.

The Bureau of Paranormal Research and Defense sends Hellboy and another operative, Roger the Homunculus, into the mountains of Austria to investigate a castle linked to a 1939 Nazi space program. Modern-day Nazis, a Frankenstein's monster-like ape, a floating head, and other assorted ghosts and ghouls await them.

By now, Mignola has his formula worked out (1. Hellboy investigates creepy location filled with humans stupidly trying to control/summon evil entities; 2. Hellboy punches evil entities), but it's a formula that works. He invests enough imagination into the proceedings to make the bad guys seem really bad (and dangerous) and action lively. And Hellboy himself is a great character, using humor, intelligence, and his fists to overcome difficult situations.

(He's actually being totally serious here, having just witnessed some awful stuff.)

Mignola's unique art style is on display here too, with Dave Stewart doing a wonderful job with the colors. Great storytelling, too. Here's a two-page sequence I really liked (click to enlarge):


That first page is an excellent example of how Mignola builds suspense and dread. What's up there? We don't know yet, but there's a freaking talking skull warning us not to look. Even after Hellboy sticks his head up, the reader's view is still trapped staring at Hellboy, so we don't know until we turn the page. And then on the second page, some powerful hits are delivered by the ape; you can feel them. I really like the panel in the top right corner, where the ape's hands have swung right through the lamp and down onto Hellboy; it's a neat choice by Mignola.

I really liked this one. I expect most comic book readers have already read Hellboy or decided it's not for them, but for those of you on the fence, go check it out.

DID YOU KNOW? Hellboy: The Conqueror Worm won the 2002 Eisner Award for Best Finite Series/Limited Series.

READ MORE: Here's a six-page preview. And here's a list of online Hellboy comics (some are pretty neat little animated things -- check 'em out).

BUY IT: From Dark Horse or from Amazon here: Hellboy volume 5: Conqueror Worm

RELATED: My review of Mike Mignola's Hellboy volume 4: The Right Hand of Doom